White City, Black Shadows
(Бели Град, Црне Сенке)
and a twice-hidden culture
9 am-5 pm on weekdays
10 am-4 pm on weekends
18 August–26 September 2021
White City, Black Shadows (Бели Град, Црне Сенке) is a selection of works by Ruth Hingston and Tim Brook after a three-month residency in Belgrade. The title is a respectful nod to Emir Kusturica’s film Black Cat, White Cat (Црна мачка, бели мачор), which is set in Belgrade.
The white city
Belgrade, Beograd, бели град, bijeli grad, means white city. It has a long and complex history, and a complex present.
The black shadows
Artists from the Balkans know how to use black, both literally and metaphorically.
The black humour in Serbian films emerges from the long shadow of the region’s past.
The twice-hidden culture
Nobody knows that Canberra has a culture.
It’s culture is hidden because the so-called
Canberra journalists only file reports
about the fly-in-fly-out
not about the rich and varied cultural life of the people who actually live in Canberra.
Canberra’s population has a greater proportion of people from the countries of the former Yugoslavia than any other Australian city. For many decades they have asserted an enormous influence on Canberra’s culture, but their contribution has remained almost completely unacknowledged. (A 2008 article in the Canberra Times alluded to the fact, but it went almost completely unnoticed.)
Postcards from Belgrade (Поглед са прозора) is an eleven-minute video loop constructed from still images. The images are photographs of a park bench as seen from the window of a seventh-floor flat in the old town. The background sounds are public domain recordings†† blended with field recordings made by the artist in the old town.
One tree (дрво) is a slow and simple video loop. There is also a low-resolution on the Web.
Ruth Hingston… uses embroidery in connection with a creative reuse of other materials in her work… to make wry little comments on contemporary life.
More images of Ruth’s embroidery…
More images of Ruth’s drawings…