The corset should be cut at least 5 centimetres smaller in circumference than the measurement of the wearer, so that it can be laced tightly to pull in the superfluous flesh.
This work is based on the pattern pieces for an Elizabethan corset. It is constructed from cardboard, paper and calico. The surface of the corset is embroidered, quilted and painted in a monochromatic palette indicative of traditional corsetry. The corset is trimmed with pearls and small bows to encourage the viewer to consider the historical references and perceptions of feminine qualities associated with this garment.
Across the curved neckline the word
breathe is embroidered in stumpwork.
The letters that fall on the central panel read
eat at the neckline
less on the waistline at the base of the panel.
less are designed on the neckline and hem of the corset
so as to suggest to the viewer the curving movement of the chest as the wearer breathes in and out.
The corset panels are laced through with brass wires that twist together onto an old iron handle that is inserted directly into the wall. The lines of the wires visually reinforce the breathing motion of the chest as if the corset is about to be wound in to create the desired curvaceous silhouette with its tiny waistline.
A Payre of Bodies was first exhibited in Body Parts
at the ANCA gallery in 2004.